考研But somewhere from the 19th century onward, more artists began seeing happiness as meaningless, phony or, worst of all, boring, as we went from Wordsworth’s daffodils to Baudelaire’s flowers of evil.
但从19世纪开始,随着我们从华兹华斯的水仙花到波德莱尔的邪恶之花,越来越多的艺术家开始将幸福视为无意义的、虚假的,或者最糟糕的是,无聊的。
2006年全国硕士研究生招生考试英语试题
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